Lucier stories

Daniel Wolf wrote a lovely 80th birthday tribute to Alvin Lucier on his blog, Renewable Music. It ends with a great story about an opera in Berlin. Reading it got me thinking about one of my own Lucier stories.

Almost exactly five years ago, I was involved in coordinating a new music marathon at Northwestern University. Lucier was the featured guest composer, and we were including a performance of Music for cello and one or more amplified vases. I had to be in Boston for a couple of days before the event, and we still needed more vases. I went to a Pier 1 store in the Boston area, listened to the resonance of each of the many large vases out on display, and wrote down the product number and a brief description for each one that was promising. I bought one small and not too delicate vase in Boston that I knew I could fit in my suitcase:

Blue vase

Then I emailed this list to another composer in the program back at Northwestern.

SKU 2131933 tall, silverish purple (metallic lacquer), square opening at the top

SKU 2052904 dark grey with fish carved in, big round bass, then flutes out (originally $60, marked down to $30)

SKU 2107098 grey and white, matte, tall ($30, I think marked down from $60)

SKU 2103767 I know they have this one, light blue and light green glass, rounded

On my way to the airport, Jeff called me. He had gone to Pier 1 with this list and was scouring the store with no luck. A saleswoman asked if she could help him. She looked in some puzzlement at this very specific list and asked, “Is this a gift?” He realized that there was nothing to do but to tell her the whole story. I wish I could have heard his description and seen her reaction. She went on to help him find all the vases that were available, and the fish vase was the clear choice. As he made the purchase, she said, “I hope you and your vases make beautiful music together.”

Fish vase


After I posted this, I was sent an email with four photos from the day of the event. The last one is downright beautiful. It was a stunning performance by Katinka Kleijn–patient, rich, skilled, unobtrusive, totally loyal to the score.

All following photos: Aaron Cassidy

DSC00222
the set-up of the vases–front view

 

DSC00192
the vases–side view

 

DSC00191
rehearsal

 

DSC00224
Katinka Kleijn in performance

absence and return

I’m not one to go in for blogger apologetics, but I think I have at least a moment of explaining to do–there’s been no sign of me here since December. On every level, my absence has to do with trying to do too many things at once. I can’t guarantee that it won’t happen again, but for now there’s quite a backlog of posts that I have been thinking about, and in many cases they are even drafted.

One of the too many things I’ve been attempting is a migration of the entire blog from the b2evolution software, which I’ve found to be somewhat unsupported, to WordPress. The migration also involves a change of hosts, for reasons that are too extensive and boring to address. The new site is set up, but I haven’t yet pulled the trigger on the domain name. I don’t quite know what I’m doing, so there may be a hiccup in the availability of the site during the transfer. It’s probably best to mention this beforehand and affirm that the blog is not dead, but just took a long nap. I’ll post a few more times here before making the switch.

Huddersfield Contemporary Records

Huddersfield Contemporary Records has been putting out one great CD after another. The label launched last year with Sebastian Berweck‘s CD Extended Piano. At this year’s hcmf, two new CDs were released with the stunning ELISION ensemble, which has been in residence at Huddersfield University. I will be posting discussions of each of these CDs over the next weeks, including interviews with many of the composers. All of these CDs are available for purchase through the university’s online store and through Amazon UK. I thought a holiday season alert might just be in order.