Radu Malfatti’s 12-hour installation and James Tenney’s “In a large, open space” were relevant to each other in their quietness, in the freedom of coming and going of the audience, and in their understated qualities. Knowing that the aesthetic world … Continue reading
EXAUDI‘s premiere of Christopher Fox’s Comme ses Paroles would have made my trip to the UK worthwhile in itself. It was a totally involving, intense experience. The piece began before I knew it. Anton Lukoszevieze seemed to be warming up … Continue reading
There are ebbs and flows at these festivals. At Donaueschingen it is all much more compressed, but the Huddersfield festival is a 10-day event. After a very strong start, the most recent string of concerts has not been as interesting … Continue reading